Tag Archives: ebooks

Links of interest 11/8/10 – open access, accessibility, statistics and more

Open Access

Accessibility

  • Char Booth writes about e-texts and library accessibility including a great quote that “ebooks were created by the blind, then made inaccessible by the sighted.”
  • NZETC has just posted about the 1064 works in DAISY format available in their collection for people with print-related disabilities. (DAISY = “Digital Accessible Information SYstem”)

Library statistics

Miscellaneous

  • The first year of research on the Researchers of Tomorrow (pdf) study finds that “in broad approaches to information‐seeking and use of research resources, there are no marked differences between Generation Y doctoral students and those in older age groups. Nor are there marked differences in these behaviours between doctoral students of any age in different years of their study. The most significant differences revealed in the data are between subject disciplines of study irrespective of age or year of study.”
  • Assessments of Information Literacy collects links to infolit tests, assessments, rubrics and tutorials available online.
  • Christina Pikas lists a Rundown of the new [database etc] interfaces this summer. There were some surprises, including a ScienceDirect/Scopus merger apparently due August 28…

[Edited 12/8 to fix broken links]

Links of interest 2/2/10

Foursquare
Not a chain of convenience stores – this Foursquare is a website/application that lets you use your cellphone etc to “check in” when you reach locations like cafes, movie theatres, libraries, etc. At its worst this floods your friends with endless notifications: “Now I’m at the dairy! Now I’m at home! Now I’m at the busstop! Now I’m at work! Now…!” But at best you walk into your favourite cafe and:

  • read tips from other customers about what to order or avoid;
  • win a prize from the cafe itself;
  • discover that your friend is in the area and arrange for them to meet you for a quick cuppa.

Some recent blogposts discussing the value of Foursquare for libraries (read the comments as well!) include:

Publishing scandals du jour
EBSCO buys up exclusive electronic access to a number of popular periodicals which will be removed from other databases that used to provide them. Reactions:

During negotiations between Amazon and “big 6” publisher Macmillan over pricing of ebooks, Amazon removed all Macmillan titles (electronic and print) from its database. Reactions:

In case you’re curious about non-Amazon options, there’s a number of online bookstores in New Zealand and I’ve recently discovered The Book Depository in the UK with free international shipping.

Bookcovers in LibGuides
Springshare have announced a partnership with Syndetics so we can now use Syndetics bookcover images in our LibGuides. This is just like using the images from Amazon before – when adding a featured book just insert ISBN, click icon, and voila a cover image – but click the “S” (Syndetics) icon instead of the Amazon icon. An added advantage is that Syndetics works with ISBN-13 as well as ISBN-10 (Amazon is limited to ISBN-10).

European theses
The DART-Europe E-theses Portal gathers and provides “access to 123327 full-text research theses from 210 universities sourced from 16 European countries”.

Links of interest 13/1/10

Web collaboration

  • Tinychat lets you instantly set up a temporary chatroom with its own short url you can share with anyone you want to join you. Once everyone has left the chat it disappears.
  • Flockdraw does the same for the virtual whiteboard.

Virtual reference

Potluck

Deborah

Links of Interest 4/11/09

Resources
New Zealand Electronic Text Centre has posted a list of online texts for current courses at VUW.

The Dept of Internal Affairs has launched Government datasets online, a directory of publicly-available NZ government datasets (especially but not exclusively machine-readable datasets).

Complementary Twitter accounts:

  • APStylebook (Sample: Election voting: Use figures for totals and separate the large totals with “to” instead of hyphen.)
  • FakeAPStylebook (Sample: To describe more than one octopus, use sixteentopus, twentyfourtopus, thirtytwotopus, and so on.)

Information Literacy
There was a lot of interest at and after LIANZA09 about the Cephalonia Method of library instruction (basically, handing out pre-written questions on cards to students to ask at appropriate times during the tutorial). A recent blogpost by a librarian worn out from too many tutorials wonders “what if the entire class session consisted of me asking students questions? What if I asked them to demonstrate searching the library catalog and databases?”

Scandal du jour
A document by Stephen Abram (SirsiDynix) on open source library management systems (pdf, 424KB) appeared on WikiLeaks. The biblioblogosphere saw this as evidence of SirsiDynix secretly spreading FUD (fear, uncertainty and doubt) against their open-source competition. Stephen Abram replied on his blog that it was never a secret paper and he’s not against open source software but it’s not ready for most libraries. Much discussion followed in his blog comments and on blogs elsewhere; Library Journal has also picked up the story.

For fun
Also at Library Journal, The Card Catalog Makes a Graceful Departure at the University of South Carolina – rather than just dumping it the library is hosting events such as a Catalog Card Boat Race and What Can You Make With Catalog Cards?

Things Librarians Fancy.

Deborah

The role of libraries in emerging models of scholarly communication

a faculty-library publishing partnership
Sigi Jöttkandt, John Willinsky, Shana Kimball
abstract (pdf)

Crisis in scholarly publishing
Exponential rise in subscription prices, decline in library budgets, consolidation of the publishing industry. Affects everyone in academia but especially the “book disciplines” eg humanities. Crisis for readers (access to scholarly materials decreases) and for authors (fewer publishers to be published by).

Open access as a response
Definition by Peter Suber.

Alternative publication models
“Green road” – institutional repositories freely available. Discipline-specific eg arXiv.org, CSeARCH.

“Gold Road” – open access publishing – Directory of Open Access Journals

Open Humanities Press
Slow uptake of OA among humanities scholars, perhaps because of perceptions among humanities researchers that internet isn’t an appropriate publishing/researching venue. Open Humanities Press founded to counter these perceptions. Primary importance for humanities is not time to publication but prestige. Author-side fees would be inappropriate and didn’t want to waste time fundraising, so instead of starting new journals, looked to gather pre-existing efforts.

Launched Open Humanities Press with seven journals. Aim to raise profile and credibility of these journals. Assess journals according to various policies
Libraries Scholarly Publishing Office. Use open source publishing software.

Found there was a perception that OHP would soon be involved in books so ran with it. Formed a model where international scholars get together to edit, peer-review, and publish books – eventually e-publishing. Aim to double publishing of books each year.

Hope model will take off more widely. Doesn’t require much change from academics.

Still a community/volunteer project.

Public Knowledge Project
Open journal systems, open conference systems, developing open monograph systems

Made a dummy OA “LIANZA Journal” and Sigi says she’d be happy to talk to people about actually making the journal open access!

They’re modularising the journal system to create a software platform for a monograph system.

Q: Would publishers use this system to set up open access monographs? What’s the role of the library?
A: Scholarly Publishing Office is just for the conversion side of things – academics still do editing and peer review. Would like to see more libraries offer these services to scholars.

Q: Who does subject headings – authors or SPO?
A: Authors do add keywords. Journals are catalogued by libraries so subject headings are added there too.

Copyright vs community in the age of computer networks

Richard Stallman (homepage)
abstract (pdf)

Brenda Chawner, chair, says Stallman is “The most influential people no-one has ever heard of.”

Talking about whether the idea of free software extends to other works. User deserves:

  • Freedom 0 – to run the program
  • 1 – to look at source code, verify what it’s doing, fix it to make it work as you need
  • 2 – to help friends by sharing software with them
  • 3 – to help community by publishing changes to software

If one of these freedoms is missing then it’s proprietary. This keeps users divided and helpless.

Text isn’t the same exactly as software – no source code. So mostly affected by copyright. This has developed along with copying technology. Originally had no economy of scale – ten copies took 10 times as long as 1 copy. Copies were made in a decentralised manner. Anyone who had a copy and wanted to copy it could. –Unless the local ruler didn’t like the book, “but that’s not copyright, it’s something closely related, which is censorship”.

Printing press has economy of scale. Took time to set up, required money and skill, but once it was set up you could produce many many copies. So copies were made in a centralised manner. And this is when copyright began. In England it began as a method of censorship in 1500s (originally to censor Protestants, then to censor Catholics). You’d apply to crown and get perpetual monopoly to publish a title. This was abolished, and in the 1680s reestablished as a temporary monopoly for the author of 14 years. It was a means of promoting writing.

When US Constitution was written they decided that Congress could optionally adopt a copyright law in order to promote progress, and it must last a limited time.
In time of digital technology, one-off copying has benefitted so we’re back almost to the time of decentralised copy-making. Copyright is no longer adapted to the technology. It’s now a restriction on the public, controlled by publishers in the name of authors. “It’s no longer easy to enforce, no longer uncontroversial, and no longer beneficial.”

Copyright is supposed to encourage authors to write more – but how does extending copyright in 1998 encourage the authors of the 1920s to write more? And the value of 20 years of copyright 70 years in our future is too small to actually change anyone’s actions. The real reason of the law is that certain companies have lucrative monopolies and want them to continue.

Originally copyright regulated certain activities while others were simply allowed. Now, companies want to set up a pay-per-universe by turning our computers against us using DRM. First by technology, until people figured out the formats and published free software – then by law, by criminalising this software. Then by technology again. Stallman says that a conspiracy to control our computers in this way should be prosecuted to price-fix.

AACS was broken and the key was published (illegally) by being included in a photo with cute puppies so it got shared faster than it could be deleted. (cf also this story)

Blue Ray. “Corrupt disks” will play in audio players but not on a computer. Sony discs install a program to take control of your computer, to hide itself and resist deletion – these are crimes. Also included GNU code which was on a GNU copy-left license – which Sony didn’t comply with. People sued Sony but focused on these specific crimes instead of on their evil purpose.

Fortunately music DRM is receding. But we’re seeing a renewed effort to impose DRM on books. First by taking away freedoms from ebooks; second by convincing people to switch from print books to ebooks.

Publisher wanted to get Stallman’s biography as an ebook to promote their line. He said only if it’s not encrypted. They wouldn’t do it. Eventually he found a publisher which would.

He thinks probably the reason there’s so many stories about electronic ink is companies want us to get excited about ebook readers – which have DRM, backdoors, spyware. Eg Amazon knows everything you’ve bought on the Kindle. You can’t lend it, can’t sell it to a used bookstore, and Amazon can delete your book (which they’ve done with 1984).

“They want to create a world where nobody lends books to anybody anymore.”

Encourages us to spread the message that by using these devices, “Other readers will no longer be your friend” because we’ll be acting like a jerk by having them in a non-sharable form.

He’s happy with an ebook reader which runs free software, no DRM, doesn’t have backdoors, restrict your files. It’s possible to have such a thing. But the companies pushing ebooks “are doing it to attack our freedom and we mustn’t stand for that.”

Stallman says:

  • Copyright should last 10 years from date of publication. The publication cycle has got shorter and shorter – almost all books are remaindered in 2 years and out of print in 3. (Was once on a panel with a fantasy author who said 10 years was intolerable – it should be 5! He wanted to distribute his own book.)
  • Functional works (software, recipes, educational, reference) should be free – these are necessary for your life. (Imagine if the government tried to stamp out “recipe piracy”. Points out that attacking ships is bad, sharing with people is good, so should reject propoaganda use of term ‘piracy’.) Works will still get made – cf recipes, Wikipedia, etc.
  • Works about what people thought – eg diaries, letters, memoirs – should allow noncommercial redistribution of exact copies.
  • After 10 years goes into public domain and you can publish your modifications.
  • Remixing snippets from many places should be legal outright.
  • Sharing copies on the internet should be legal.

“To attack sharing is to attack society.”

Also proposes:

  • Distribute tax revenue directly to artists to promote the arts. This means not in linear proportion to popularity. Based on popularity, yes (eg through polling) and then take the cube root – so 1000x more popular would get 10x as much money.
  • Voluntary payments – micropayments so you could send a dollar anonymously to the artist of the song you’re listening to. You could get a certificate of having supported your favourite artists as encouragement. Make friendly advertising campaigns encouraging “push the button”. (Me: make it a big red button and everyone will want to push it!) Need a good system.

Links of interest 14/9/09

The National Library of China is celebrating its centennial.

Nga Upoko Tukutuku korero is a new blog for discussion on Maori Subject Headings – each week they post a new question for readers to answer/comment on.

Reference

  • Promoting Library Reference Services to First-Year Undergraduate Students: What Works? (feature article in RUSQ this month) “describes a study that sought to answer three questions:

    1. What percentage of first-year undergraduate students are aware of reference services?
    2. What percentage of first-years seek information from reference librarians?
    3. Through which media are first-years comfortable communicating with reference librarians?”

    The summary on page 4 begins “At least in their first year of college, students respond most strongly to library reference service promotions given in person.”

  • The Swiss Army Librarian posts a “Reference Question of the Week” describing the question and the way he found (or didn’t find) an answer. His recent post on “What’s in your ready ref?” is also fascinating.

Resources

  • The British Library Sound Archive has made over 23,000 sound recordings available for listening online (where copyright permits) to anyone anywhere in the world. This includes music (classical, popular, traditional), oral history, nature, and linguistic recordings.
  • The New Zealand Electronic Text Centre has released 1000 NZ classics in e-book format

Twitter
There seems to be a revival in posts about Twitter recently – in the last couple of weeks I’ve come across:

(And for those interested in New Zealand birds, Twitter accounts Kārearea (kakarapiti) and newzealandbirds.)

Overdrive to offer 3000 DRM-free books

Via walking paper scraps, OverDrive Breaks the iPod Barrier for Downloadable Audio – by the end of June 3000 audiobooks will be available in mp3 format with no “digital rights management” (aka “crippling”) – so they can be played on Macs, iPods, etc. They’re also apparently going to release an “OverDrive Media Console for the Mac” which presumably lets their normal range of audiobooks be played on Macs (but not iPods etc).

This is great news, and hopefully one more sign that DRM might be gradually going out of fashion. It’s not just that it’s nasty to restrict how a person can listen to something that they’ve paid for; it’s that making it hard for people to listen to your music (or watch your videos or read your books) is a great way to induce them to look for alternatives – like piracy.

And DRM does diddly-squat to prevent piracy. Codes can be, and regularly are, broken; there’s free software all over the internet to extract audio and video from ‘protected’ files, and even if there weren’t there’s still audio capture and video capture programs (just like screen capture but more so).

So DRM a) doesn’t prevent piracy, and b) induces your potential customers to consider turning to piracy. So what was the point again?

Fortunately a lot of people are starting to realise that not only is DRM fairly useless, but giving stuff away entirely free can make you money. In the science-fiction world, for example:

  • the Baen Free Library (Eric Flint writes in 2000, “Dave Weber’s On Basilisk Station has been available for free as a ‘loss leader’ for Baen’s for-pay experiment ‘Webscriptions’ for months now. And — hey, whaddaya know? — over that time it’s become Baen’s most popular backlist title in paper!”);
  • Tor’s “Watch the Skies” promotion (sign up! the editors are nice people who won’t spam you, and this week they’re giving away Jo Walton’s Farthing, which is a stunning murder mystery set in a 1940s England where Britain made peace with Hitler. Jo Walton is also nice people, and the book is brilliant. Having a pdf of it is really nice — and I’m still going to buy it in paperback).

A huge number of books on my bookshelves are there because I first read them in a library; or I first borrowed them from a friend; or I first found a sample chapter or the entire thing free on the internet. I wouldn’t have taken the risk on them otherwise. So this is money I paid because — and only because — I could use things in ways that DRM actively prevents.

So what was the point of DRM again?