Tag Archives: digital rights management

How libraries can buy DRM-free ebooks

Libraries hate DRM because our customers hate DRM because it makes the ebooks we buy really truly appallingly horrible to use. I can never find the cartoon when I want it, but it’s something like “How to download an ebook in 37 easy steps”. It involves lots of installation of software and restarting of the computer and logging in to things and troubleshooting, and the final step is to give up and look for it on BitTorrent. (ETA: As per Andromeda’s comment, here’s the cartoon.)

But what can we do when publishers require DRM before they sell anything to us?

Well, the new venture Unglue.it could change things. The idea behind Unglue.it is that:

  • author/copyright-holders pick a lump sum that they think is fair compensation for the rights to their book;
  • people who want to read the book pledge however much they want;
  • when the lump sum is reached, the book is released as a DRM-free, open-licensed ebook, free to the entire world. (If the lump sum isn’t reached, no money’s taken from your credit card.)

This is aimed at individual readers, but why shouldn’t libraries get in on the game? There are apparently some 16,000-odd public library branches in the USA: if each one of those made a one-off pledge of US$1 then American Book Award-winner Love Like Gumbo would be available to their members (and everyone else in the world) in perpetuity. That’s one heck of a cheap ebook. You can store a copy on the library server, or just link to it from the catalogue. You can print it out, if you want – as many times as you want. And you won’t have to buy it again after it’s been borrowed 26 times.

Currently Unglue.it has campaigns for five books. (If this takes off, and I’m convinced it will, there’ll be more.) If any of these books would be of interest to the members of your library, then figure out what’s a fair price (or what you can afford — whichever’s less) and then pledge just half of that from your book budget.

If you really can’t afford it (or purchasing really has to go through approved suppliers, no exceptions ever), well, then promote the campaigns to your members instead.

Or do nothing. When the books are funded, you and your members will get them for free anyway. šŸ™‚

I just think that this is such a natural extension of our mission to use our funds wisely to provide resources to our communities that it’s hardly an extension at all. I think it’s the answer we’ve been asking for to the problem of ebooks. And I think it’s the best consortial deal ever.

So let’s go forth and Unglue!

Links of interest 26/8/10

Scandal du jour (aka the power of social media)
JSTOR’s new interface made searches default to covering their entire database – so results might include articles students didn’t have access to on JSTOR and which wouldn’t even be linked via OpenURL to the library’s subscription in another database. (Meredith Farkas describes the problems neatly.) Librarians complained loudly on blogs, JSTOR’s Facebook page, and elsewhere, and a day later JSTOR has announced that they’ll change the default while they continue work on OpenURL.

Tools
WolframAlpha has added widgets that focus on a specific kind of data and can be embedded into a webpage by copying and pasting the code. Categories cover all kinds of subject areas – some widgets might be relevant in a subject guide. (You’d need to add a new rich text box, then select the plain text editor and copy/paste in the embed code from WolframAlpha.)

Librarian as resource
University of Michigan Library’s search results now bring back subject librarians as well as relevant databases, catalogue items, subject guides, institutional repository hits, and external websites. Their blog about this links to some examples.

eBooks and compatibility
Jason Griffey writes a clear explanation about why ebook filetypes and digital rights management means that purchasing an ebook doesn’t mean you can read it on any old e-reader.

Library instruction
Cooke, R., Rosenthal, D. Students Use More Books After Library Instruction: An Analysis of Undergraduate Paper Citations College and Research Libraries (preprint)

“In Fall 2008, students from first-year Composition I and upper level classes at Florida Gulf Coast University participated in a citation analysis study. The citation pages of their research papers revealed that the students used more books, more types of sources, and more overall sources when a librarian provided instruction. When these results were compared to those produced by students in upper level classes (all of whom received instruction), it was discovered that as the class level increased, the number of citations and the percentage of scholarly citations generally increased and there was a high preference for books from all disciplines, especially history.”

(They compared classes which received library instruction with identical classes which didn’t.)

Copyright vs community in the age of computer networks

Richard Stallman (homepage)
abstract (pdf)

Brenda Chawner, chair, says Stallman is “The most influential people no-one has ever heard of.”

Talking about whether the idea of free software extends to other works. User deserves:

  • Freedom 0 – to run the program
  • 1 – to look at source code, verify what it’s doing, fix it to make it work as you need
  • 2 – to help friends by sharing software with them
  • 3 – to help community by publishing changes to software

If one of these freedoms is missing then it’s proprietary. This keeps users divided and helpless.

Text isn’t the same exactly as software – no source code. So mostly affected by copyright. This has developed along with copying technology. Originally had no economy of scale – ten copies took 10 times as long as 1 copy. Copies were made in a decentralised manner. Anyone who had a copy and wanted to copy it could. –Unless the local ruler didn’t like the book, “but that’s not copyright, it’s something closely related, which is censorship”.

Printing press has economy of scale. Took time to set up, required money and skill, but once it was set up you could produce many many copies. So copies were made in a centralised manner. And this is when copyright began. In England it began as a method of censorship in 1500s (originally to censor Protestants, then to censor Catholics). You’d apply to crown and get perpetual monopoly to publish a title. This was abolished, and in the 1680s reestablished as a temporary monopoly for the author of 14 years. It was a means of promoting writing.

When US Constitution was written they decided that Congress could optionally adopt a copyright law in order to promote progress, and it must last a limited time.
In time of digital technology, one-off copying has benefitted so we’re back almost to the time of decentralised copy-making. Copyright is no longer adapted to the technology. It’s now a restriction on the public, controlled by publishers in the name of authors. “It’s no longer easy to enforce, no longer uncontroversial, and no longer beneficial.”

Copyright is supposed to encourage authors to write more – but how does extending copyright in 1998 encourage the authors of the 1920s to write more? And the value of 20 years of copyright 70 years in our future is too small to actually change anyone’s actions. The real reason of the law is that certain companies have lucrative monopolies and want them to continue.

Originally copyright regulated certain activities while others were simply allowed. Now, companies want to set up a pay-per-universe by turning our computers against us using DRM. First by technology, until people figured out the formats and published free software – then by law, by criminalising this software. Then by technology again. Stallman says that a conspiracy to control our computers in this way should be prosecuted to price-fix.

AACS was broken and the key was published (illegally) by being included in a photo with cute puppies so it got shared faster than it could be deleted. (cf also this story)

Blue Ray. “Corrupt disks” will play in audio players but not on a computer. Sony discs install a program to take control of your computer, to hide itself and resist deletion – these are crimes. Also included GNU code which was on a GNU copy-left license – which Sony didn’t comply with. People sued Sony but focused on these specific crimes instead of on their evil purpose.

Fortunately music DRM is receding. But we’re seeing a renewed effort to impose DRM on books. First by taking away freedoms from ebooks; second by convincing people to switch from print books to ebooks.

Publisher wanted to get Stallman’s biography as an ebook to promote their line. He said only if it’s not encrypted. They wouldn’t do it. Eventually he found a publisher which would.

He thinks probably the reason there’s so many stories about electronic ink is companies want us to get excited about ebook readers – which have DRM, backdoors, spyware. Eg Amazon knows everything you’ve bought on the Kindle. You can’t lend it, can’t sell it to a used bookstore, and Amazon can delete your book (which they’ve done with 1984).

“They want to create a world where nobody lends books to anybody anymore.”

Encourages us to spread the message that by using these devices, “Other readers will no longer be your friend” because we’ll be acting like a jerk by having them in a non-sharable form.

He’s happy with an ebook reader which runs free software, no DRM, doesn’t have backdoors, restrict your files. It’s possible to have such a thing. But the companies pushing ebooks “are doing it to attack our freedom and we mustn’t stand for that.”

Stallman says:

  • Copyright should last 10 years from date of publication. The publication cycle has got shorter and shorter – almost all books are remaindered in 2 years and out of print in 3. (Was once on a panel with a fantasy author who said 10 years was intolerable – it should be 5! He wanted to distribute his own book.)
  • Functional works (software, recipes, educational, reference) should be free – these are necessary for your life. (Imagine if the government tried to stamp out “recipe piracy”. Points out that attacking ships is bad, sharing with people is good, so should reject propoaganda use of term ‘piracy’.) Works will still get made – cf recipes, Wikipedia, etc.
  • Works about what people thought – eg diaries, letters, memoirs – should allow noncommercial redistribution of exact copies.
  • After 10 years goes into public domain and you can publish your modifications.
  • Remixing snippets from many places should be legal outright.
  • Sharing copies on the internet should be legal.

“To attack sharing is to attack society.”

Also proposes:

  • Distribute tax revenue directly to artists to promote the arts. This means not in linear proportion to popularity. Based on popularity, yes (eg through polling) and then take the cube root – so 1000x more popular would get 10x as much money.
  • Voluntary payments – micropayments so you could send a dollar anonymously to the artist of the song you’re listening to. You could get a certificate of having supported your favourite artists as encouragement. Make friendly advertising campaigns encouraging “push the button”. (Me: make it a big red button and everyone will want to push it!) Need a good system.

Overdrive to offer 3000 DRM-free books

Via walking paper scraps, OverDrive Breaks the iPod Barrier for Downloadable Audio – by the end of June 3000 audiobooks will be available in mp3 format with no “digital rights management” (aka “crippling”) – so they can be played on Macs, iPods, etc. They’re also apparently going to release an “OverDrive Media Console for the Mac” which presumably lets their normal range of audiobooks be played on Macs (but not iPods etc).

This is great news, and hopefully one more sign that DRM might be gradually going out of fashion. It’s not just that it’s nasty to restrict how a person can listen to something that they’ve paid for; it’s that making it hard for people to listen to your music (or watch your videos or read your books) is a great way to induce them to look for alternatives – like piracy.

And DRM does diddly-squat to prevent piracy. Codes can be, and regularly are, broken; there’s free software all over the internet to extract audio and video from ‘protected’ files, and even if there weren’t there’s still audio capture and video capture programs (just like screen capture but more so).

So DRM a) doesn’t prevent piracy, and b) induces your potential customers to consider turning to piracy. So what was the point again?

Fortunately a lot of people are starting to realise that not only is DRM fairly useless, but giving stuff away entirely free can make you money. In the science-fiction world, for example:

  • the Baen Free Library (Eric Flint writes in 2000, “Dave Weber’s On Basilisk Station has been available for free as a ‘loss leader’ for Baen’s for-pay experiment ‘Webscriptions’ for months now. And — hey, whaddaya know? — over that time it’s become Baen’s most popular backlist title in paper!”);
  • Tor’s “Watch the Skies” promotion (sign up! the editors are nice people who won’t spam you, and this week they’re giving away Jo Walton’s Farthing, which is a stunning murder mystery set in a 1940s England where Britain made peace with Hitler. Jo Walton is also nice people, and the book is brilliant. Having a pdf of it is really nice — and I’m still going to buy it in paperback).

A huge number of books on my bookshelves are there because I first read them in a library; or I first borrowed them from a friend; or I first found a sample chapter or the entire thing free on the internet. I wouldn’t have taken the risk on them otherwise. So this is money I paid because — and only because — I could use things in ways that DRM actively prevents.

So what was the point of DRM again?