Tag Archives: web statistics

Cats, Content, and Community by @homebrewer #ndf2012

Cats, Content, and Community: a year of long tails on walerart.org
Nate Solas (@homebrewer), Walker Art Center
Nate is the Senior New Media Developer and Head Technologist at the Walker Art Center in Minneapolis, MN. In that role, Nate leads the team responsible for back-end development and database work for all Walker web properties: walkerart.org, artsconnected.org, and mnartists.org.
A technology leader at the Walker since 2003, Nate has helped shape the direction of the institution’s web presence and developed strategies for multidisciplinary content online. In 2011, Nate and colleagues launched the new Walker Art Center
website, walkerart.org. Awarded 2012 Best Innovative/Experimental Site and Best Overall Site by the International Conference of Museums and the Web and nominated for a Webby Award, the site has been hailed as a ‘game-changer’.

In this talk, Nate thinks about cats, content, and community: a year of long tails at walkerart.org. Launched at about the same time as last year’s NDF, the site caused a stir felt as far away as Wellington. What made it unique? And how can its success be measured a year on, once the lustre of launch has worn off? What difference has the site made on the internal culture at the Walker and to its local audiences? And what of the cats?

New website a significant approach from brochure-style, marketing-based, to a content model. Nina Simon described as “not about the Walker Art Center. It is the Walker Art Center in digital form”.

More measuring. Less guessing. –both to be more transparent and more accountable.

Walker recognised as multidisciplinary contemporary arts centre. Wanted to drag web presence along with the physical.

Site is content-centred – more like museum than website. No longer an island on the internet. Why content-centred? World is changing. Taking message to audience, telling our story. Add context to conversation about arts.

Betting: People will engage if you provide content that delivers value. We can do this in physical but not good at transitioning to web or retaining it.

Heat map of views – people don’t always scroll down but often do – and of clicks – hotspot right at the bottom: “jobs”. People do scroll if they’re looking for something!

Pull in art news from elsewhere (big sites and small), changes throughout the day and keeps the page fresh. We don’t try to trap people – we’re not the destination – we let them go. Minnesota arts news, artists’ voices, archives connectable with current events — all this is on homepage which is very long, scrollable. Like a magazine

Many users just want to get in and out, only want to know the hours so put that at top left. Visit menu is on every day – hover over and it shows hours and map. Similarly on mobile hours and today’s exhibitions show up at the top.

Search includes spelling corrections. “More like this” features even if doesn’t link only to own website. “404 not found” and “Server error” pages show materials from collection. Events page includes animated confetti; one exhibition page has a bees appearing at 7-second intervals.

“Huge webteam” — well, compared to what? The team is this big because something else is smaller. Not rolling on money, it’s a tradeoff. Wanted to run as a content hub but didn’t have staff. Managed to get a new hire. Much development then presented in-house and got feedback….

What designers say: “This isn’t quite finished yet.”
What clients hear: “Oh good, there’s still time for them to add our programme above the fold.”

Need to entice locals as well as engaging those who can’t visit.

Is it working?
Yes. Visits up 35% (year to year). Immediate shift when site launched – 200% increase of people going straight there by typing in address. People staying for 3 pages are up 30%. 50% more visitors return within 2 weeks. International visits up 32%. Paid gallery admission up 12% – nothing to do with the website – or does it?

What about content? Harder to compare year over year. But can say it’s hard being a content producer – “shaking the content tree” going to departments to try and get content to put online. 6-8 pieces of content per day. Includes links to other sites which aren’t written but are read and approved to link in. A couple of original pieces per day.

Assumption that articles would have long life on line but hadn’t tested this.

Long tail of usage of individual bits of content. Looked at individual bits to get graphs, overlaid all and got a long tail. How many pageviews would we be getting in the longterm? Calculated as 1.5views/day. Turns out for their content usage in head (first 2 weeks) = usage in next 9 = tail (usage in next year). Interestingly when page is fresh people glance at it; but when less fresh, people who get there spend more time on it. At the longtail – after about 80 days – it’s less “Please read this thing we wrote” and more them searching out a resource they need.

Ran same analysis on blogposts. Blog content getting less usage. Why? Articles written better? How do you measure this? One measure is the Flesch-Kincaid measure, counting syllables in words etc. Found when blogposts are well-produced – peak at grades 12-13 – it’s used in the longtail. (OTOH there’s a spike at grade 6-7: this turns out to be things the internet loves, eg top ten lists, interviews with artists, and technology how-to posts.)

External search drives the long tail especially where it’s quality content; people need it.

Online community exists in the intersection between authentic and interacture. Eg on every page include the weather. It says, “We have a building.” Shared experience, even if just the weather, is a pillar of community.

Use Facebook comments with the new site. Scan list and look for question marks.
But don’t get comments on their events pages. Why? Shows graph of 90 days before event and 90 days after: the long tail goes the wrong way – leads up to and peaks on day of event. The day after the event you have to search to find the page. Might as well not exist – but people are interested in this. They are looking for it. Maybe want to talk about it. What if after the event we gave them an opportunity to discuss it? Light it up with links to everything we know about artists, become a hub for discussion. –This is the biggest gap on their site right now.

Big tip: cat videos. Irresistible. Wondered what could we do with an open field? Screened an hour’s worth of internet cats. 10,000 people came, spilled out onto freeways. Number of pageviews on day of festival doubled compared to day of site launch. OTOH it turns out that cat lovers aren’t fans of contemporary art. However people landing on catvidfest page make up 3% of all visits to the Walker site. A few people do explore the site a bit (though they may just be lost).

But you can’t trick people. If they came for the cats, don’t try to make them look at contemporary art. Leave it around the edges. If they want it they’ll find it.

Highlights Rijksmuseum – a mobile-first site. Mobile site has three things in navigation; website has three things in navigation. Will this be successful? If so, who’ll be the first to flat-out copy it?

Stop inventing, start iterating.

Don’t just copy unless you can add value. If someone else is doing something well, just link to them. Get back to the basics of what only you can do that no-one else can do.


Q: Impressed by making web its own thing, not just copy of physical.
A: Need to recognise a big chunk of world is interested in this but won’t come to build it. How do we balance serving local audience with distance audience especially with limited budgets? Depends on what you care about – make sure you measure that.

Q: Metaphor of intersection – what about revisitation? Audience might be able to come (physically) once a year but maybe not three times a year. Barrier of charging may reduce visits.
A: Not sure if web presence has impacted this. Local traffic hasn’t changed much – still want to know how to get there, when they’re open.

Q: Have you brought any of the online into the physical?
A: No but have thought about it and a possible space. Tempted to even just throw website up to let visitors know but space not consumption-friendly.

Q: Plans for resurfacing content from the long tail? Eg annual, biannual events?
A: We do – “from the archives” section on homepage, “here’s more like it” section, search.

Q: Events page with long tail ‘the wrong way round’ – is the marketing making effort to get more interaction including before event?
A: Don’t want to put more resources than needed to sell out!

Q: Do you have comments on collection pages?
A: No space for that to happen. Has seen comments in a separate tab which hides them and ruins the point. Would be most compelling in connection to an exhibition.

Q: Any thoughts on how to advocate for value of the size of the team going forward? Is it sustainable – any post-success pressure to now reduce size of team?
A: Yes, always pressures. Some grace period now, giving them time to educate, lobby, sustain development. “So much of job not just doing the good work but defending the good work.”

More lightning talks #ndf2012

Jock Phillips, Manatu Taonga – Ministry for Culture and Heritage: Short Stories
Began with Rugby World Cup 2011. Wanted to recreate childhood experience of driving around with parents reading out stories from a guide. So got 140 stories prefaced of extracts from RadioNZ archives – 4minute sound bytes. Then road tested them, listening to stories and taking photographs.

Didn’t originally realise how important these photos would be. Originally envisaged as CDs they could hand out at airport but then found out the cost this would involve and rethought… How to get the stuff out? Could deliver as mp3 files so people could download trips. Put together iPod app with sound and images. Put together a google map with access to all stories. But main way was on YouTube. And had to use images taken as historic images often had rights issues.

Roadside Stories possibly not that successful with rugby fans — but the YouTube videos have been viewed often and often also embedded in other contexts.

Main problem is that does involve staring at still photos – hope to work with archives to move beyond this and put together some war stories.

Max Sullivan, Victoria University of Wellington: Digitising sensitive material
Digitising Salient student magazine. Contains a lot of images that can be considered offensive – nudity (inc. child nudity), violence, death. 50,000 images on website and haven’t dealt with this before or had policy to deal with it, though have withheld images for cultural reasons.

Image of dead child from Vietnam War. Does portraying it respect the person?
One with headline re “rapes chicken”.

Need to display images in context. If you can’t display in context maybe shouldn’t display it at all. Eg album cover with naked 13-year-old – okay if used to illustrate article on music.

Need to create a defensible position – create and display a policy.

Will display Salient in full; but want people to see images in context, so will block the images from search engines. Will also develop and display an image policy.

Why block all images? Easier to be consistent, easier to implement, avoids having meetings about each image (because will soon be doing the 70s!)

More info: An Investigation into the Display of Potentially Offensive Salient Magazine Images

Stuart Yeates, Victoria University of Wellington: Digital usage statistics

Web stats – google analytics, apache logs, other systems

Good for some things – how many people use site, what pages more frequently used, did people stop using search after upgrade, did marketing lead to uptick in usage?

Do we value reuse and remix? Everyone.
Do we measure it and report it upwards? A few tentative hands

“Bureaucracies measure success in terms of what is reported up the management chain. If you have no plan to report, you are planning to fail.”

Broadcast vs kaitiaki – broadcast is all about selling slots, measuring bums on seats. If we’re to be guardians, we don’t have content, users have content loaned to us for their future selves. If they’re not doing stuff with it, why the fuck do we have it?

Easy measures

These are quantity not quality. (If you measure gate count, you don’t subtract the number who just came for the toilet.) They don’t mean more than current statistics, they mean different things.

Chris Thomson, University of Canterbury: Digitising a bibliography of writing by Māori in English
Bridget Underhill created Kōmako bibliography as dissertation. Bibliography is authorised – she contacted writers and whanau for consent and to annotate.

Chris involved much more recently. They’re doing project mostly in spare time. Bibliography is a Word file, non-searchable pdf, and in print. Want to turn into flexible data format, interoperable with other systems, maintainable and updateable.

Using TEI, eXist-DB, and XSLT and XQuery. Doing everything with xml which can be verbose, pedantic, heavy-handed but others love it.

“XML is like violence – if it doesn’t solve your problems, you are not using enough of it.” attributed to sparklemotion

OxGarage to convert docx to flat TEI XML

Lots of tools out there for learning this stuff.

Coming soon: www.komako.org.nz

Clarion Wells, NZ On Screen, How to Survive the Content Apocalypse
Clip of Rotting Hill zombie apocalypse in NZ outback which Clarion says is how she feels about the web.

NZonscreen has thousands of title free to watch. Tasks include selecting, clearing, sourcing digitising, writing. Very high stats. But besieged by horde of information. How do we survive and thrive in information apocalypse?

4 rules

  1. use the right tools – have built own ruby on rails applications, and challenge is to keep it simple and usable. Use analytics tools to get info about visitors and measure performance
  2. find your peers and work with them. Don’t become isolated. NZonscreen team from film/tv background, involved in industry. But also part of cultural and heritage sector.
  3. find allies outside of your peers. Find common ground in sectors beyond your own. Eg approaching Tourism NZ re helping tourists find out more about locations of favourite films.
  4. make yourself known to the public – survival depends on people knowing you exist. Active on Facebook and Twitter, strong relationships with the Press, approach radio and tv when something to offer.

Non-English blog roundup #4 (Dutch)

I’ve been saving up a whole pile of stuff and then more came in when I was down with a cold, and then I just got behind. So I’ll start off with a bunch of old content from Dutch blogs — fair warning, it turns out that my Dutch is even worse than I thought it was. Hopefully it’ll improve, and in the meantime, machine translation is improving all the time…

On ZB Digitaal:

  • comments discuss the reliability of IP address tracing to find the location of visitors — the problem being that it depends on the address provided to the registry by the server. [In New Zealand this means that no matter where you are in the country, if you use ISP X you’ll show up in server logs as being in City Y.]
  • the 7 Vs of young adult librarianship: freedom, trust, responsibility, imagination, narrative, enrichment, cheerfulness. [Alliteration loses something in translation.]

On Wowter over het Web:

  • Wouter introduces a wiki for Dutch biblioblogs, nlbiblioblogs
  • a great post discussing at what point libraries should adopt new technologies. Wouter leans towards the experimentation side of the spectrum, rather than waiting for everything to be perfect, and gives an example of the unintended benefits of a comments feature in a catalogue. “When the library as an organisation is not exploring and playing with the possibilities than the organization is not teaching learning (thanks, wow!ter, for the correction -DF 30/6) anything.” [I ended up reading this through Google Translation which is startlingly readable though it doesn’t deal so well with compound words. Where you see “commentaarmogelijkheid”, read “the ability to comment”.]

And on the Bibliotheek 2.0 Ning group, Jeroen van Beijnen writes about one solution to writing in the margin of library books: transparent post-it notes. [I personally as a reader don’t mind if someone had pencilled in one or two notes. In pencil. And not many of them. OTOH, I do think that (following links all English) readers should be careful, when correcting a book’s historical details, to ensure first that it’s not an alternate history book. The author of the book in question maintains that “we should hold off on the brain-wipe until the second offence“; a comment on her post leads to a LiveJournal community for found marginalia.]