Tag Archives: meme

30 posts in 30 days

The first round of submissions on a change proposal at MPOW closed today, so I’ve just emerged back onto the interwebs to catch up with everything that’s happened since the end of May. Notably among them, the Australian biblioblogosphere’s “30 posts in 30 days” blog challenge.

I’m a bit late to be a full participant, and not sure if my brain’s up to even jumping in now, but I did spot a meme I can manage:

Do you snack while reading?
Not invariably, but frequently. I do keep an eye out for crumbs.

What is your favourite drink while reading?
Um, n/a I think – what I want to drink depends a lot more on weather and whim than on activity.

Do you tend to mark your books while you read, or does the idea of writing in books horrify you?
I love marginalia, in fiction or non-fiction, as long as the writer isn’t obnoxious about it. Bonus points if they’re actually insightful. I’m not very insightful, and don’t feel called to do it often; when I am I do it lightly in pencil. Except for one YA book with a character who advocated keeping a cat on a vegetarian diet: for that one I printed out a page from the RSPCA and stapled it in before bookcrossing the book.

How do you keep your place? Bookmark? Dog ear? Laying the book open flat?
I love the idea of bookmarks, but most of my bookmarks are currently in books that I got halfway into 5-10 years ago. Instead I use receipts, remote controls, cushions, a slipper, other books – whatever’s handy.

Fiction, non-fiction or both?
Both, but mostly fiction.

Do you tend to read to the end of a chapter or can you stop anywhere?
Depends on how compelling the book is. And time of day: if I’ve got an appointment, I’ll read up to the last minute and stop mid-sentence; if it’s bed-time then I need to read to the end of the chapter. Or the end of the book.

Are you the type of person to throw a book across the room or on the floor if the author irritates you?
No, but there was one book that was so appallingly bad in every possible way that I burned it.

If you come across an unfamiliar word, do you stop and look it up right away?
No, most of the time I can work it out from context and most of the rest of the time it doesn’t matter anyway.

What are you currently reading?
Dirt, greed, and sex: sexual ethics in the New Testament and their implications for today (brief summary up to where I’ve reached so far: homosexual acts were never a sin, they were just ‘unclean’ like pork and shrimp, and yes this goes for the New Testament too)

What is the last book you bought?
The Hundred Thousand Kingdoms by N. K. Jemison

Do you have a favourite time/place to read?
In/on bed. Though I move around a lot to avoid stiffness – couch, beanbag, etc.

Do you prefer series books or stand-alones?
Stand-alones, or series where each book can stand alone.

Is there a specific book or author you find yourself recommending over and over?
Megan Whalen Turner’s The Thief et seq.

How do you organise your books (by genre, title, author’s last name, etc.)?
Fiction: by language, then author’s surname.
Non-fiction: by pseudo-Library of Congress classification (pseudo because I’m not quite obsessive enough to look them up, I just go my memory/guesstimation).

Non-English blog roundup #5 (French)

Still catching up, so pulling together a bunch of French content this time:

Bernard Rentier writes “A university which wants to be on the cutting edge of information as a communication tool cannot be unfamiliar with these new practices. It must even use them, not to “reform” them, even less to control them, these two objectives not being acceptable, but if it’s a tool frequently used by many students, the Institution must be able to adopt this new concept and make itself a usage of it that is “sympathetic” and perceived as positive by everyone.

Risu suggests an easy method of increasing your library’s visibility: enter it into Google Business Center with contact details, website, description, photos and videos, opening hours etc. “The whole thing takes 5 minutes and it’s free.”

Thomas on Vagabondages talks about “Lottobook”, a game where every participant pledges to send a book to the winner. The winner is drawn and receives n-1 books, while a runner-up receives 1 book (from the winner) as a consolation prize and so even the winner doesn’t know they’ve won until all the books arrive in the mail.

A meme being passed on via Marlene’s Corner: “to give you the contents of my day as a 2.0 librarian on Monday”.

In Bibliobsession:

On DLog, Dominique writes about The two branches of the library:

Let’s not confuse

  • the physical item;
  • a particular edition of which the physical item is a clone among clones;
  • the work, which is immaterial

And:

I draw from this a new conception of conservation: no longer only for the future or for researchers, but also for the public, here and now.”

And a new report has been published, Report on the digital book (pdf) by Bruno Patino, 30 June 2008. Very roughly, from the executive summary:

The entrance into the digital age seems to be happening later for the book than for other cultural industries. However, many publishing sectors such as professional, practice or reference books are already largely digitised. This development, so far, has challenged neither the commercial model, nor relations with authors, nor the customs of readers. But what would happen if digitisation were to accelerate, even to take over? Such a hypothesis, even if it cannot be predicted with certainty, still merits that the key players in the sector prepare for it, bearing in mind the very important effects that it could lead to on the precarious equilibrium of the book industry.

A particular vigilance should especially be brought to a possible new competition between the rights holders (authors and publishers), whose remuneration of their creations should be preserved and increased, and the access and network holders, who don’t necessarily have any interest in increasing the intellectual property rights.

In this context, two elements are essential: intellectual property must remain the cornerstone of publishing, and publishers must retain a central role in determining price.

The committee therefore recommends a series of measures organised into four actions:

  1. Promote an attractive legal offer. [eg look at interoperability of digital content – formats as much as DRM; interoperability of existing metadata; pursue the policy of supporting digital books[
  2. Defend intellectual property. [don’t modify intellectual property law, which can accomodate digitisation; open inter-professional discussions about the rights of authors]
  3. Put in place provisions allowing rights holders to have a central role in determining prices.
  4. Conduct an active policy with respect to community institutions. [Establish a bureau to promote intellectual property-related policy; request a lower TVA tax for digital cultural content.]

Discussion in various venues has ensued and seems likely to continue apace….